Review: Swampcandy – Mine


Swampcandy – Mine (Independent)
‘Mine’ is the fifth LP from Maryland based Swampcandy (Ruben Dodds - guitar/vocals and Joey Mitchell bass/percussion/arrangements), and it’s a continuation of their previous collection ‘Land’ - though it sounds like a case of natural evolution rather than intelligent design. It’s without doubt a collection that comfortably stands alone, and if ‘Mine’ were your first experience of Swampcandy – as it is mine - I wouldn’t worry too much that you’ve missed something that’s going to hinder your enjoyment.

They’re certainly a talented twosome - Dodds is in possession of a voice that wouldn’t have sounded out of place in ‘90s Seattle, albeit with a roots edge that grounds the songs and plays to their strengths and Mitchell understands a songs dynamics, and consistently brings the best out of them. And although they’re officially a duo, ‘Mine’ boasts a musical line-up of over a dozen bodies, contributing everything from Hammond B3 and piano to cello and fiddles galore. It’s no surprise with the amount of instrumental firepower at their disposal ‘Mine’ sounds fully formed and musical detail and revelations abound.

Together the band cook up a rough and tumble collection of tunes that mix up barroom blues, classic American rock ‘n’ roll and grungy alt-country. Most of it works brilliantly, and on tracks like the rollicking opener ‘JC’s Revenge’ and the wickedly intense ‘Dead Man Walking’ the sparks fly.

As stated previously, I can’t say I’m au fait with any of Swampcandy’s back catalogue but I intend to be soon. ‘Mine’ is the sort of album that converts folk, and I’m happy to be one of ‘em.
Rollo

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