Review: A.J.H. Hayes – Raw Opus


A.J.H. Hayes – Raw Opus (Independent)
Arvel Joseph Harrison Hayes is a young singer-songwriter from somewhere in the middle of Oklahoma, with a folk heavy Americana style that sounds old and primeval, created almost from the dustbowl myths and legends that originate from his home state. Of course, those old storytelling folk singers who travelled the highways and byways were notoriously difficult to capture on tape, and all that really remain are a few 78s and the collections put together by collectors like Harry Smith, and usually financed by museums.

Hayes somehow finds a direct source from those old recordings. The sound he captures is obviously lo–fi, but it’s a special kind of lo-fi that harks back to backroom shack, single-mic recordings from the 1930s rather than digital bedroom adventures. His songs seep hardship and desperate times, and although he’s only as ‘authentic’ as one’s imagination allows, it feels a small step back to the past. To be honest it’s near impossible to choose one or two standout songs. Not because the material is average, but because listening to Raw Opus is something that should be experienced as a whole rather than broken down into three-minute sections.

It’s pretty much a solo recording, though Chelsey Phifer steps up to the plate on ‘Beautiful Chaos’ – not unlike discovering a fantastic old Freakwater demo – and Dano Powell provides a little mouth harp.
Rollo

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